| dc.contributor.author | Margaroni, Maria | en |
| dc.creator | Margaroni, Maria | en |
| dc.date.accessioned | 2019-08-05T07:05:50Z | |
| dc.date.available | 2019-08-05T07:05:50Z | |
| dc.date.issued | 2003 | |
| dc.identifier.issn | 0270-5346 | |
| dc.identifier.uri | http://gnosis.library.ucy.ac.cy/handle/7/52204 | |
| dc.description.abstract | Explores the drama of geopolitical and maternal separation in Jane Campion's film "The Piano." Information on Marlene Nourbese Philip's essay "Looking for Livingstone" | en |
| dc.description.abstract | Details on the opening scenes of the film | en |
| dc.description.abstract | Assessment on the film's main character. | en |
| dc.source | Camera Obscura: Feminism, Culture and Media Studies | en |
| dc.source.uri | http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=11166632&site=ehost-live | |
| dc.subject | ESSAY (Literary form) | en |
| dc.subject | MOTION picture producers & directors | en |
| dc.subject | MOTION pictures | en |
| dc.subject | CAMPION, Jane, 1954- | en |
| dc.subject | NOURBESE-Philip, Marlene | en |
| dc.subject | PIANO, The (Film) | en |
| dc.title | Jane Campion's Selling of the Mother/Land: Restaging the Crisis of the Postcolonial Subject | en |
| dc.type | info:eu-repo/semantics/article | en |
| dc.description.volume | 18 | |
| dc.description.startingpage | 92 | |
| dc.description.endingpage | 123 | |
| dc.author.faculty | Σχολή Ανθρωπιστικών Επιστημών / Faculty of Humanities | |
| dc.author.department | Τμήμα Αγγλικών Σπουδών / Department of English Studies | |
| dc.type.uhtype | Article | en |
| dc.contributor.orcid | Margaroni, Maria [0000-0002-1823-8821] | |
| dc.gnosis.orcid | 0000-0002-1823-8821 | |
