dc.contributor.author | Vöhler, Martin | en |
dc.creator | Vöhler, Martin | en |
dc.date.accessioned | 2019-07-29T05:09:00Z | |
dc.date.available | 2019-07-29T05:09:00Z | |
dc.date.issued | 2006 | |
dc.identifier.issn | 0044-2186 | |
dc.identifier.uri | http://gnosis.library.ucy.ac.cy/handle/7/51792 | |
dc.description.abstract | Hymnic poetry needs inspiration. In the >Feiertagshymne<, Hölderlin differentiates several historical stages (night, dawn, holiday), degrees (deficiency, favour, rapture) and representations of inspiration or enthusiasm. The poetological reflexion includes mediating figures (Semele, Dionysos, Christus) and models (Pindar, Klopstock). While the poem turns away from eschatological inspiration it projects, by the simile at the beginning, a gesture of exploration which is followed up later by Hölderlin's last hymns. For those this poem is of fundamental significance. | en |
dc.source | Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft | de |
dc.source.uri | https://www.ingentaconnect.com/content/meiner/zaek/2006/00000051/00000001/art00005 | |
dc.title | Exploration Statt Inspiration H\olderlins Bestimmung des Dichterberufs in der Feiertagshymne | de |
dc.type | info:eu-repo/semantics/article | |
dc.description.volume | 51 | |
dc.description.startingpage | 75 | |
dc.description.endingpage | 91 | |
dc.author.faculty | Σχολή Ανθρωπιστικών Επιστημών / Faculty of Humanities | |
dc.author.department | Τμήμα Γαλλικών και Ευρωπαϊκών Σπουδών / Department of French and European Studies | |
dc.type.uhtype | Article | en |